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Showing posts with label français. Show all posts
Showing posts with label français. Show all posts

Sunday, December 26, 2021

Sentiments / Discussions sur Matrix 4 - "Matrix Responses"

Je viens de voir Matrix 4 le week-end. Je suis un grand fan de Keanu Reeves et de Carrie-Anne Moss et j'avais de grands espoirs pour ce film. Si vous n'avez pas vu le film, arrêtez de lire pour éviter les spoilers.



Sentiments Généraux :

Je peux décrire Matrix Resurrections en un mot - crise de la quarantaine. Comme un homme d'âge moyen essayant de retrouver la magie de sa jeunesse, en ajoutant tout l'attirail de la jeunesse. Vous n'avez pas l'air cool ou audacieux ou attrayant. Tu as juste l'air pathétique.

Le premier film était un chef-d'œuvre. C'était sûr de lui. Il a fait confiance à l'intelligence du public. Cela ne s'expliquait pas. Pour moi, ce n'était pas seulement un film d'action. Il s'agissait d'une masterclass sur les nuances et l'utilisation de métaphores. Chaque personne dans le public avait l'impression qu'on leur révélait un secret. Il a parlé de différentes choses à différentes personnes.

Ce film avait tous les éléments de ce film, sauf son esprit. C'était comme une Ferrari équipée d'un moteur Toyota. Une fois qu'il commence à bouger, vous ne pouvez pas vous empêcher de remarquer la différence.

Je suis déçu.


Et Maintenant les Petits Détails : 

1. La scène d'ouverture était de mauvaise qualité.

La scène d'ouverture serait l'aspect le plus important d'un film, en particulier une suite (ou un reboot), et Matrix 4 a fait un mauvais travail. Je comprends que Lana Wachowski essaie de se connecter avec le premier Matrix. Mais l'actrice qui reproduisait Trinity n'avait pas la même présence. L'humour au milieu de la scène entre Bugs et les 3 agents semblait forcé. Et la révélation que l'agent Smith était le nouveau Morpheus m'a laissé m'arracher les cheveux, ce qui m'amène au deuxième point.

2. L'intrigue était trop alambiquée, décousue et incroyable.

OK donc 60 ans se sont écoulés entre la mort supposée de Neo et l'époque actuelle. D'une certaine manière, Neo n'a pas vieilli. Je peux l'accepter. Mais Trinity n'a pas non plus, tandis que Niobe est devenue une vieille femme tandis que le vieux Morpheus est mort. En parlant de qui, j'ai été surpris de découvrir que la seule raison pour laquelle Laurence Fishburne ne jouait pas Morpheus dans le 4ème film était simplement parce que les Wachowski ne voulaient pas qu'il le fasse, surtout quand l'acteur était encore actif à Hollywood et avait un grand intérêt pour la série. Et oh ouais, qu'est-ce qu'un modal [sic] ?? C'est censé être "une simulation conçue pour faire évoluer les programmes". Cependant, si ce modal a été écrit par Neo dans son faux jeu vidéo, pourquoi tous les vrais agents y sont-ils ?? Quant à l'ancien agent Smith qui s'est réincarné pour être le patron du jeu vidéo de Neo, euh, pourquoi les machines ont-elles dû le faire revivre ?? Pour couronner le tout, Trinity peut désormais voler à la Captain Marvel, avec Neo comme acolyte. Aucun commentaire là-dessus. Assurez-vous de jeter un coup d'œil à la scène post-crédits, une autre scène vide et irréfléchie.

3. Le kung-fu était horrible

C'est la plus grosse déception. Alors que la première Matrice, il y a 20 ans, a révolutionné le genre de l'action avec ses incroyables techniques de combat sur scène et d'esquive de balles, le 4e volet n'a pas dépassé cela. Neo se sentait trop vieux pour faire du kungfu et je jure devant Dieu dans certaines scènes, j'avais peur que ses os de la hanche ne se fissurent (dans la vraie vie) à cause des activités ardues. Lana Wachowski avait probablement une idée en tête, car elle a introduit un concept appelé "Bullet Time". Ouais, c'est fondamentalement juste au ralenti pour tout le monde sauf le méchant "The Analyst". Cela évite à Neo d'avoir à esquiver les balles tout le temps.

4. Essayez-vous d'augmenter la fréquentation des cinémas en incluant autant de pays que possible ??

Tout d'abord, l'inclusion du shinkansen japonais n'avait aucun but dans le film. C'était juste un "pont" qui permettait à Bugs de traîner Neo du toit de son bureau à l'emplacement d'extraction. La réapparition du mérovingien français et de ses épéistes japonais s'est également sentie forcée. Pourquoi diable ressentent-ils de la rancune contre Neo ? Sans lui, le vieux Smith se serait cloné dans chacun d'eux. Et la jolie actrice indienne (Priyanka Chopra) était de la partie juste pour rire. Son jeu d'acteur était médiocre et son influence sur l'intrigue globale était minime (voir le point 2 ci-dessus)

Ce qui nous amène au dernier point...

5. La musique était acceptable.

Johnny Klimek et Tom Tykwer ont remplacé Don Davis pour composer la bande originale de Matrix 4. Je dirais que leur travail orchestral était moyen. Cependant, la chanson "White Rabbit" de Jefferson Airplane était superbe. "White Rabbit" ne faisait pas référence aux éléments d'Alice's Adventures in Wonderland que Matrix avait déjà utilisés et sur lesquels "White Rabbit" est basé, mais aussi un clin d'œil à Jefferson Airplane lui-même qui a été formé en tant que groupe maison pour un club de musique appelé "The Matrix" à San Francisco. J'ai repris la chanson "White Rabbit" au piano, en la mélangeant avec un autre favori de Matrix, "Clubbed to Death" de Rob Dougan. 



Friday, February 23, 2007

Professeur Jube au 1er jour de travail

Finalement je me suis accédé au niveau de demi-prof...c'est-à-dire être un « tutor » à mon université américaine. Que cela est dure et triste ! Je suis étudiant universitaire depuis 3.5 ans et je ne fais jamais des exploits pareils...Toujours un clochard qui n'a rien à faire.

Mais bref, depuis hier je suis officieusement le tutor pour des cours de français et d'économie d'introduction. Trop d'extase de ma part !!! Ouais finalement je peux apprendre le français aux jeunes filles américaines... lol no je rigole, bah...bien sûr vous vous dites : « mais qu'il est complètement malade ! »

En tout cas, voici un poème que moi et mon tutee nous avons construit ensemble pour le cours de français de 3e semestre. Dans ce poème, intitulé « La Amour Pur », il faut montrer qu'on peut maîtriser l'usage des pronoms relatifs comme « qui » et « où ». Et bah j'en suis très fier.

--------

L’Amour Pur


La main que j’ai touchée

Le visage que j’ai vu

Le roman que j’ai lu

Me font t’aimer plus.


La chaise où nous nous sommes assis

La table où nous avons diné

Le parc où nous nous sommes rencontrés

Me font t’aimer plus.


La pomme que j’ai mangée

Le vin que j’ai bu

Le film que j’ai vu

Me font t’aimer plus.


La piscine où tu nages

L’argent que tu hérites

La villa où tu habites

Me font t’aimer deux fois de plus !


-------

C'est vraiment quelque chose, n'est-pas ? Et voici le poème original :

Le Message Jacques Prevert
La porte que quelqu'un a ouverte
La porte que quelqu'un a refermée
La chaise ou quelqu'un s'est assis
Le chat que quelqu'un a caresse

Le fruit que quelqu'un a mordu
La lettre que quelqu'un a lue
La chaise que quelqu'un a renversée
La porte que quelqu'un a ouverte

La route ou quelqu'un court encore
Le bois que quelqu'un traverse
La rivière ou quelqu'un se jette
L'hôpital ou quelqu'un est mort.

Tuesday, January 23, 2007

Từ điển đã ra lò!

Như đã hứa cách đây không lâu, Jubinell xin giới thiệu với các bạn Từ Điển các từ tiếng Việt mượn từ tiếng Pháp. Hiện tại từ điển còn đang là thinkpiece, cho nên rất ngổn ngang. Trông nó là một glossary hơn là một dictionary thứ thiệt. Ta hãy tạm bắt đầu ở đây đã, rồi sẽ tính tiếp.

Bạn nên đọc đọc trước Readme [eng] để dễ sử dụng hơn.

Hiện Jube đang trong giai đoạn tiếp research về etymology, nhưng còn lâu nữa mới có thể có một kết quả đáng xem để trình làng. Vì khi học về etymology là cả một quá trình nghiên cứu đòi hỏi phải tìm tòi rất mất thời gian. Hơn nữa, những kết quả đạt được chưa chắc là kết quả đúng, và chuyện các nhà ngôn ngữ học luôn tranh luận với nhau về nguồn gốc của các từ ngữ, cách nói cũng là chuyện thường.

Vậy tạm như vậy hén? Như đã nêu ở post trước, nếu bạn có entry to contribute, or comments to make, please feel free to leave me a note.

Francophiles, unite!

Danh sách các từ tiếng Việt mượn từ tiếng Pháp

Danh sách các từ tiếng Việt mượn từ tiếng Pháp
Lexique des mots vietnamiens provenant du français
Lexicon of Vietnamese words borrowed from French



- x - x - x- x - x- x -


Việt – Pháp – Anh
vietnamien – français – anglais
Vietnamese – French – English


- x - x - x- x - x- x


Xin hãy đọc hướng dẫn tại đâyLisez-moi si vous ne l'avez pas fait déjà !
Readme


---A---
alô: allô: hello!, hullo!
amiđan: amygdale: tonsil
amatơ: amateur: amateur
amiăng: amiante: asbestos
ampe: ampère: ampere, amp
an bom: album: album
a-pác-thai: apartheid: apartheid
áp phích: affiche: poster
a ti sô: artichaut: artichoke
át: as (cartes): ace (cards)
a xít: acide: acid

---Ă---
ắc qui: accus, accumulateur: battery (accumulator)
ăng kết: enquête: investigation
ăng lê: anglais: english
ăng ten: antenne: antenna

---Â---

---B---
ba ga: baggage: baggage
ba lô: ballot: bag (schoolbag)
ba lê: ballet: ballet
bazan: basalte: basalt
bazơ: basse: base
băng (đảng, chuyền, cát xét): bande: band
bê tông: béton: concrete
chó bẹc giê: chien de berger: shepherd dog
bi: billes: marbles
bi đông: bidon: water bottle
bi da: billard: pool, billiards
bia: bière: beer
chất bích: => pích
bánh bích quy: biscuit: cookie, biscuit (bánh) quy
boa: pourboire: tip
bom: bombe: bomb
boongke: bunker: bunker
bơ: beurre: butter
bơm: pompe: pump
bu gi: bougie: spark plug
áo bu giông: blouson: leather jacket
bù loong: boulon: bolt
búp bê: poupée: doll

---C---
cabin: cabine: cabin
ca bô: capot (d'une voiture): bonnet, hood (of car)
ca cao: cacao: cocoa
ca pô: => ca bô
ca pốt (bao cao su): capote (préservatif): condom
ca ra: carat: carat
ca ra van: caravane: caravan
ca rô: carreau: square, check
ca ta lô: catalogue: catalogue
ca vát: cravate: tie
ca ve: ???: ???
cà phê: café: coffee, café
cà ri: cari (curry): curry
cà rem: crème (de la glace): ice-cream
cà ra vát: => ca vát
cà rốt: carotte: carrot
cà vạt: => ca vát
cao su: caoutchouc: rubber
thùng các tông: carton: cardboard
các-te dầu: carter: oil pan (automobile)
cạc: carte: card
thùng cạc tông: => thùng các tông
cạc vẹc (bằng lái xe): carte verte (permis de conduire): driver's licence
cạc vi zít (danh thiếp): carte de visite: business card
cam: came: cam (rotating disk)
can-ke: calquer: copy, trace
cát xét: cassette: cassette
cátxê: cassé**: price
cátxcađơ (diễn viên đóng thế): cascadeur: stuntman
căng tin: cantine: canteen
compa: compas: compass
bộ com lê: complet (veston): suit
côngtenơ: conteneur: container
công tơ: compteur: counter
quay cóp: copier: to copy
cô ban: cobalte: cobalt
đậu cô ve: haricot vert: French bean
công tắc: contact: switch
cốp xe: coffre: trunk (of a car)
chất cơ: coeur (cartes): hearts (cards)
cu li: coolie: coolie
cua (gái): courtiser: to court, to flirt with
cuarơ: coureur: runner, cyclist
cùi dìa: cuiller, cuillère: spoon
cúp (thể thao): coupe: cup (sports)
cúp (điện): coupe: cut (electricity)


---D---
da ua: yaourt: yoghurt

---Đ---
đầm: dame: lady, queen (cards)
đề ba: départ: start
đề-can: décal (décalcomanie): decal (decalcomania)
điêzen: diesel: diesel
đi văng: divan: divan
đoan: douane : customs
đóc tơ: docteur: doctor
(cờ) đôminô: domino: domino
đúp: double: double

---E---

---Ê---
ê ke: équerre: scale
ê kíp: equipe: team

---G---
nhà ga: gare: (train) station
ga: gaz: gas
ga lăng: Galant: gallant, courteous
bánh ga tô: gateau : cake
găng tay: gant: glove
ghẻ lở: galeux: mangy
đàn ghi ta: guitare: guitar
áo gi lêt: gilet: waistcoast
giăm bông: jambon: ham
gôm: gomme: eraser

---H---
hóc môn: hormone: hormone

---I---


---K---
kaki: kaki: khaki
ka li: kalium: potassium
kích: cric: jack (a car)

---L---
La va bô: lavabo: basin/sink
lăng xê: lancée: get started, get going
lô cốt: blockhaus: blockhouse
lôgarít: logarimthe, logarimth
lôgic: logique, logic
len: laine: wool
lít: litre: liter
cú líp: lift (tennis): topspin
líp xe đạp: roue libre: free-wheel
ngủ líp ba ga (exp)
xe lu: road roller: rouleau compresseur
kính lúp: loupe: magnifying glass

---M---
ma lanh: malin: cunning
ma nơ canh: mannequin: mannequin
mác-ki: maquille: make-up
áo măng tô: manteau: coat
áo may ô: maillot: undershirt
me! (trong bóng đá): (faute de) main: handball
mét: mètre: meter
mít tinh: meeting: meeting
mìn: mine: mine
môtô: moto: motorbike
mô típ: motif: motif
mù tạc: moutarde: mustard
khăn mù soa: mouchoir: handkerchief

---N---
đèn nê ông: néon: neon
chất nhép: trèfle (cartes): clubs (cards)
Nô-en: Noël: Christmas
nơ: nœud: knot, bow
nui: nouilles: noodles
ny lông: nylon: nylon

---O------Ô---ô liu: olive: ô liu
ôxy: oxygène: oxygen
ôtô: auto (voiture): car

---Ơ------P---
pa tanh: patin: roller-skating
pepxin: pepsine: pepsin
pê đan: pedale: pedal
pê đê: pédé**: fag**
pianô: piano: piano
chất pích: pique (cartes): spades (cards)
pin: pile: battery
phéc-mơ-tuya: fermeture: zip
phê thuốc: fait**: high (on drugs)
phích: fiche (prise): plug
phin: filtre: filter
phóc sết: fourchette: fork
phô mai: => phô mát
phô mát: fromage: cheese
(bệnh) poliô: polio(-myélite): polio(-myelitis)
thùng phuy: : drum (container): fût

---Q---
bánh quy: => bánh bích quy

---R---
ra giường: drap: bed sheet
rađiô: radio: radio
đường ray: rail: rail
chất rô: carreau (cartes): diamonds (cards)
nhạc rốc: rock music: musique rock
ru băng: ruban: ribbon

---S---
sâm banh: champagne
sâm panh: => sâm banh
séc: chèque: check
séc đấu: set (tennis): set (tennis)
sếp: chef: boss
bệnh si đa: SIDA (syndrome d'immunodéficience acquise): AIDS (acquired immune deficiency
syndrome)
sing gum: chewing-gum: chewing gum
quần sóoc: short: shorts
ghế sôfa: sofa: sofa
áo sơ mi: chemise: shirt
sơ mi rơ mooc: semi-trailer: semi remorques
bánh su: chou: a type of French pastry
súp lơ: chou-fleur: cauliflower

---T---
ta luy: talus: talus
tà vẹt: traverse (chemin de fer): railroad tie
xe tắc xi: taxi: taxi
tăng: temps: beat
xe tăng: tank: tank
xe tăng đem (xe đạp): tandem (bicyclette): tandem (bicycle)
tăng đơ: tendeur: adjuster, tensioner: tightener
điệu tăng gô: tango: tango
típ người: type: type
chất tép: => nhép
toalét: toilette: toilet
tôn: tole: sheet metal
tông: ton: tone
dép tông: tong: flip-flop
tông đơ: tondeur: clippers
tua bin: turbine: turbine
tuốc nơ vít: tournevis: screwdriver
tuýp kem: tube: tube


---U------Ư------V---
va li: valise: suitcase
va ni: vanille: vanilla
van: valve: valve
điệu van: valse: waltz
rượu vang: vin: wine
vẹc ni: vernis: veneer
viđêo: video: video
viôlông: violon: violin
vít: vis: screw
vô lăng: volant: steering wheel

---X---
ghế xa lông: salon (fauteuil): couch
xa tanh: satin: satin
quỷ Xa tăng: Satan: Satan
xà bông: savon: soap
xà lách: salade: salad
quần xà lỏn: sarong: sarong
quả xê ri: cerise: cherry
số xê ri: série: serial number
xi lanh: cylindre: cylinder
(quần) xi líp: slip: underpants
xi nê: ciné: cinema
(đèn) xi nhan: signal: signal
xi măng: ciment: cement
xi mi li: simili: artificial (imitation)
xích lô: cyclo: cyclo
(cái) xô: seau: bucket
xơ cua: secours: spare (extra)
xi phông: siphon: siphon
xi rô: syrop: syrup
xi téc: citerne: tank
xích lô: cyclo: cyclo
xì căng đan: scandale: scandal
xiếc: cirque: circus
xki: ski: skiing
xe xkútơ: scooter: scooter
vải xoa: soie: silk
xốt: sauce: sauce
xơ: soeur: sister (nun)
đồng xu: sou: cent
xu cheng: soutien-gorge: bra

---Y---

Hi guys, thanks for reading my blog. I recently started playing piano again. If you liked this post, please consider subscribing to my Youtube channel to support me.
Chào mọi người. Cám ơn vì đã đọc blog của Jubinell. Gần đây mình bắt đầu chơi piano trở lại. Nếu mọi người thích bài viết này, hãy xem xét ủng hộ Jubinell bằng cách đăng ký kênh Youtube của mình nhé?
https://www.youtube.com/jubinell


Sunday, January 07, 2007

Dictionnary of Vietnamese words borrowed from French

Very exciting news, I have decided to put together a dictionary, a lexicon rather, of Vietnamese words originating from the French tongue. This project is still under development, but just to give a brief idea, it would be trilingual. Words could be looked up in English, French or Vietnamese via Firefox's searching capabilities. I mean, some of the stuff would be common-sense, but many others require a masterful knowledge of Vietnamese etymology. For example, who would guess that caoutchouc is the French origin of the infamous term "cao su," from which we derive another notorious word (one of my favorite actually): "bao cao su"?? Such is the irony of language.

Next good news, the project should be open-sourced. After a while, I will put it on wikipedia for everybody to see, but please keep in mind that the project originates from THIS webpage. Save me some honors. Don't fuck it up by doing immature things (stupid/random addition/removal of words).

Until then, adjustments and suggestions are made via the comment system. Once the project goes under development, feel free to drop me a line if you have a couple of entries to contribute.

As faithfully yours as always,
Jubinell

Tản mạn ở Đài Bắc

Tản mạn ở Đài Bắc
v.1
Jan 05, 2007


Đã từ lâu lắm rồi tôi mới về thăm Việt Nam vào kỳ nghỉ đông.

Đã lâu lắm rồi tôi mới ghé Hà Nội vào mùa rét. Tại sao lại gọi là mùa rét mà không phải là mùa đông? Khi nghĩ về mùa đông, như một kết luật tất yếu, tôi liên tưởng đến những bông tuyết rơi trắng xóa, đến cái lạnh cắt da cắt thịt, đến một gia đình nhỏ quây quần bên bếp lửa hồng, mặc cho ngoài sân gió tháng hai cứ gầm cứ rú buốt thấu đến tận xương tủy, nhìn lên cao những nhánh cây gầy yếu cứ xào xạc, bị gió đánh cho tơi tác, từng chạc một lần lượt rơi xuống chìm vào trong lòng tuyết của vườn nhà mình, để rồi lại bị gió hất bổng lên, mang đi mãi đâu xa, qua bao nhiêu núi đồi, bao nhiêu trăng tròn trăng khuyết đến tận hang đá của Bà chúa tuyết. Đó là hình ảnh về mùa đông trong suy nghĩ của tôi: một hình ảnh mang nhiều ảnh hưởng của phim hoạt hình Mỹ.

Một hình ảnh “hâm hâm,” “tửng tửng,” mơ mộng hão huyền.

Hà Nội thì không có tuyết, nhưng không có nghĩa là không lạnh. Không có nghĩa là sẽ không có một vài bếp lửa hồng được thắp lên đâu đó trong lòng thủ đô đã ngàn năm tuổi.

Em đã cảnh báo trước: “Anh về Hà Nội phải mang theo áo lạnh đấy!” Hay nói đúng hơn, em lên giọng dạy đời tôi bằng tiếng Mỹ: “OK...is this the only sweatshirt you're bringing back?!” Em hỏi tôi bằng một giọng nửa trách móc, nửa âu yếm. Nó giống như là một lời kết tội, một lời đe dọa của tình yêu: “Anh mà ốm là em không lo được đâu!”

Em sẽ không bao giờ phải lo đâu, để anh lo cho em.
Trẻ con vậy đấy, cứ cười đi.

Đêm hôm đấy, hai đứa yêu nhau lần cuối. Tôi yêu em một cách giận dữ, thêm một ít ghen tuông và một ít hờn dỗi. Rồi tôi nhìn em nằm cuộn tròn trong cái túi ngủ xanh màu biển mà mẹ đã mua từ Nhật tự bao giờ. Tôi nhìn em mơ ngủ trong ánh sáng mờ ảo tỏa ra từ ngọn nến ở cuối phòng.

Nhìn em hoài như vậy, anh chợt thấy người mình nhẹ hẳn.


From the PA system, some lousy air stewardess announced in a heavily-accented and barely recognizable English: “Passengers with connecting flights to HCM City please redirect to gate A8.” A8...A8...from the depth of my sleep, this word, this...code name, whatever it is supposed to be called, merged itself subconsciously, almost mechanically, into the buzzing traffic going through the neurons of my brain. Oh great! I have about 30 minutes to make the transfer. As soon as the plane landed, I rushed out.

Kaisen Airport, Taipei. The place was almost deserted when I arrived. Many corridors and escalators later, I found myself walking into A8. Ten minutes until boarding time.

As I entered, a violent desire to throw up came over me. Within a split of a second, my knees gave way, and I tumbled desperately towards the handrail of the stair, struggling to keep myself upright. A nauseating feeling of disgust surged up my throat. What the hell is this? Why am I feeling so grossed out all of the sudden? It can't be the food I ate. Nor can it be the motion sickness. I haven't had motion sickness for years.

After a minute of self-reflection, I came to the disheartening conclusion that it must be the Vietnamese crowd which I find myself surrounded by. I realized how much I hated my country. Or rather, I hated the fucking people who inhabit that place. I hated those lousy housewives, cowardly fathers and annoying grannies that swarm every fucking airport within a 500-miles radius of the Vietnamese border. Why the fuck do the grannies care which university I attend or whether I double (or triple, aha! that's their favorite) major? Why the fuck do they freak out when I tell them that I have no fucking idea what I want to do after graduation? After all, I am not their grandchild to pet, to scold and to prize over. As for the men who engross most of their time exchanging unconfirmed rumors about the State or derogatory remarks about the world at large, their dilemma is never one between word and action. It is a no-contest between word and no-action-at-all. Instead of searching for the culprit within their own souls, these men look outwards, yearning to feast on the littlest fault—the slightest sign of a feeble mind—they could find in others in order to reconstruct for themselves, out of thin air, the Ego that has long since left their insecure hearts.

As for the housewives, why did they have to be so loud? “Thà phải nghe nhạc death-metal còn hơn là phải nghe mấy bà bán cá bán tôm này,” I mumbled in Vietnamese and pushed the headphone into my ears.

Then I realized that something was wrong.

In fact, it is this statement's negative interrogative form that is what I have been asking myself during the entire journey. “Why isn't something wrong...yet?” Knowing my history of forgotten air-tickets and am-pm confusion (let's also not leave out the infamous over-estimation of the time interval between each subway train in the city of Hamburg during the Spring of 06), I was amused by the fact that I have not encountered a single problem this time around...yet.

The realization came almost naturally and painlessly.

The housewives were speaking in a Southern accent. Normally, this wouldn't be a problem. Originating from the North, I have always been proud to be a Saigonese, and the ability to imitate the three accents were among my proudest childhood achievements (until I went to concentration camp in fucking India and never spoke a word of Vietnamese again...for a very long time). Normally, listening to these people would have instantaneously created an artificial lump in my throat that served as the harbinger of what I would soon have to accustom my ears to listen to at home. But heck no! This time I'm going to Ha Noi, no? And I don't have to deal with those “Hổng dzám đao” and “Thiệc là dzễ ghéc” until after the 6th.

Then why the fuck am I sitting here, surrounded by uncivilized clones of the South?

Ah merde...c'est foutu, ça ! I remembered that PA announcement on the plane. This one is going home. And I'm not ready to go home yet.

I ran. While my feet bounced in increasing frequency against the shiny floor of various corridors that seemed to stretch forever, my eyes screened the two walls parallel to the walkways in a frantic attempt to distinguish announcement boards from NIKE commercials. Normally I'd go on bragging about how good I am with multi-tasking and working under stress, but let's just say I got to the correct gate before the plane departed. As usual (and no less fortunately), the flight was late, and I dropped my caffeinated body onto a waiting chair in exhaustion (and no less relief), ready to go into the sweetest coma of my life.

And then I realized (this must be the sixth realization within a day now), that I was now surrounded by two swarms of Vietnamese.

As it turned out, the gate adjacent to mine also led to another flight to Vietnam, this time to Sai Gon. And it just so happened that from where I was sitting, I found myself sandwiched between two hordes of compatriots: Southern on the right, and Northern on the left. The irony of the situation was unprecedented: Dealing with “Thàng nhỏ....nàm yêng, tao guýnh chết cha mài bai dzờ!” was already borderline bearable, except in the case where it was topped with the following conversation (more or less accurately paraphrased) between two men of considerable age dressed up in funny attires that looked like they they were produced in motherland Russia in the 60s, their hands promptly glued onto their crossed legs. Their hair, originating mostly from the very top of their head, was neatly side-parted, and reflected as much light as Bà chúa tuyết's mirror.

Thế thằng cha Nam cuối cùng không qua được à...Qua làm thế nào được, tôi đã bảo ông giồi còn gì nữa, bọn nó cứ khư khư không chịu giả lại hộ chiếu thế thì lão ấy đành phải nằm chết gí ở đấy chứ còn xao nữa...Thế có gọi được cạ ra đón không...Giời! Nước đến chân giồi mới nhảy thì cạ nào mà cứu cho được, đã bảo là chi tiền ngay từ đầu thì có phải đã chơn chu giồi không...Thế à, tế tế tế cuối cùng thì làm thế nào...Còn thế nào nữa, lão đành xòe ra tờ nghìn giúp cho nó êm chuyện. Thằng công an, thằng oắt con, nhìn thấy ông Việt Nam chi tiền là mắt nó xáng lên, đóng giấu một phát giồi cho qua luôn!

I sank my head in despair. God...please save me from this boredom, lift me up and away from this mediocrity (and also, please spare me their pronunciation confusion of ‘d,’ ‘r’ and ‘gi,’ ‘s’ and ‘x,’ etc.)! How many times have I heard this sort of conversation before, and why is it that it all sounds the same to me? These people talk about corruption as if it is man's second nature, as if they can't live with it at the same time that they can't live without it. Corruption as the devil's advocate's argument in favor of the inevitable process of income redistribution from the class that owns the means of production to the class that regulates those means. Corruption as a dysfunctional child who happens to be born so purely out of romantic fortuities and genetic randomness, who saddens at the same time as it confuses its parents: the latter hold the former in their hands, trembling, sweating, screaming at fate's cruelty; they detest the child whom they bore, yet cannot possibly think of abandoning it. And so they learn to adapt to it, to satellite their lives around it, to melt decades of anger and pain into an indifferent shrug of resignation and nostalgia every time they overhear indistinct whispers peppered with tiny outbursts of giggles behind their backs. It is their curse at the same time as it is their Grand March. It is the kitsch of parenthood.

Excuse me for the heavy allusion to “The Unbearable Lightness of Being.” 13 hours on a transpacific flight has given me more time than I wanted to undertake ambitious reading projects.

I have previously mentioned the reason why I am contemptuous towards Southern men. I guess It must be the same for their Northern counterparts. It is a blatant and perverse deliberation in mistaking a simple choice between word and no-action for a the noble dilemma between word and action. Oh, how these men are alike in their thought process!

Then my own thought process went berserk. As my soul wandered aimlessly in the realm of unspoken words, I came yet to another realization. It isn't so much the fact that these people are abnormal in their ways. After all, they feel perfectly at home: they are at home, and so does everyone else who interact with them. It must be I who am abnormal. It is I who have been out of touch with realities since that time I went to concentration camp in India. It is I who need counseling.

Such a thought saddened me. Oh how I longed to be like them! How I covet their Vietnamese identity, their complacency, their uniformity! A rat that runs the wheel of a gigantic machine, isn't it a perfectly normal existence, if not better than mine, if I am anything other than just another rat, at all? “...mistaking a simple choice between word and no-action for a the noble dilemma between word and action.” ~ look who's talking? I'm sitting here like a loser, trying to waste my time and and short-circuit a couple more neurons in my brain, knowing perfectly well that I can influence neither the events leading up to nor those originating from the present trend of Vietnamese masculine thought.

To prevent myself from going crazy, I tried to shut off these ideas from my brain, and started looking at the people around me. They looked Vietnamese enough, and the two groups were sitting in their respective camps, which greatly reassured me. There was a group of five on my right, where a middle-aged woman practically shouted out for everyone to hear: “Cháo gởi cho cô qua đường...đái đái...ngời ta gọi là U-pê-ét ái...địa chỉ là mục trong năm mươi Mít-đờ-bô-rô A-vê-niu, thành phố Xăng-hô-giê.” The listener, of a considerably-younger age, tuned in attentively, not forgetting to demonstrate her attention by nodding once in a while. Two rows down and five seats away on my left, the two Lomonosov graduates continued their heartbreaking story of Vietnamese people suffering from discrimination and authority abuse in Russia. Naturally enough, the term 'cạ' appeared every five words or so. Perhaps some of you do not know what this word means. Perhaps some of you do not know the term' 'vẹm' either. They are words that only certain groups of people, very peculiar ones, will have ever come across.

I remembered a scene from the movie デド’・オア・アライブ:犯罪者 (Dead or Alive: Criminal) directed by 隆三池 (Takashi Miike). The main protagonist, Yojima, a cop on the chase of a Chinese-origin criminal, Ryu, interrogates two thugs of the street about what they think of Ryu. They say he is their hero. In the end, the cop asks them: “Who the hell are you guys anyways,” to which they reply: “Who are we? We look Japanese, but we aint. We look Chinese, but we aint. What are we, eh? It's a tough question.”

They are what I will refer to as the rootless people. Like me, they struggle to define themselves. Like me, they will never fit in. Like me, they will look at those who are supposedly their people, and feel a mix of indifference and alienation, only because they have been uprooted from their homeland, by force or by free-will, and have adopted a second, or a third, identity, none of which will ever be complete.

The rootless people wander at the margin of society. The are the first to ask for directions. They are the last to get the joke. The first to fall asleep watching the local news, and the last to leave when world events are being discussed. The rootless people knows no Bob's Underground, and will nervously sit at a Starbucks when chance presents itself to them. Anywhere they go, they will act either like a tourist or an illegal immigrant. Anyone they meet, they will hesitate between different modes of greetings. They will never fully master a language the way they see the lines on their palm. They spend ages dreaming about a culturally-rich family built from their bare hands, about children who speak four or five different tongues since birth. They then spend even more time getting depressed about how to find a partner who will fit nicely in their scheme of things. They have trouble imagining such a partner. Will he/she be a rootless person like themselves, for who else understands their crisis better than one of their own kind?

It is the Vietnamese people who have been uprooted to Russia who will understand the word “cạ.” Similarly, those who arrived in the U.S. on a boat will never forget the word “vẹm.”

---------------------------------------------------
THE DICHOTOMY OF CẠ AND VẸM
---------------------------------------------------

CẠ: Cờ a ca nặng cạ
danh từ
từ lóng chỉ người môi giới lao động Việt Nam đi xuất ngoại ở Nga. Cạ lo từ A đến Z: từ giám sát việc ký kết hợp đồng lao động, xin VISA, mua vé máy bay, cho đến đút lót hải quan và đưa đón ở sân bay Nga. Còn được gọi là 'cò Xô' hay 'cò Nga.'

VẸM: E mờ em, vờ em vem nặng vẹm
danh từ
từ lóng dùng để chỉ bộ đội Việt Minh trước năm '54 nói riêng, và những ai ủng hộ Bắc Việt ('54-'75) và Đảng Cộng Sản Việt Nam ('75 đến nay) nói chung. Được dùng chủ yếu bởi người dân miền Nam trước năm '75 và cộng đồng người Việt tỵ nạn Cộng Sản ở hải ngoại sau năm '75. Xuất xứ từ tên tắt của Việt Minh là VM, đọc theo tiếng Pháp là Vê-em.

In this one eventful day, I witnessed the two terms coming to a violent collision: cạ on my left, and vẹm on my right. I was at the exact point of impact. I, a rootless Vietnamese, symbolically (and symmetrically) formalized the split of my own nation, a nation that I myself struggled everyday to understand. The thought of such a metaphor nearly made me sob. Did Vietnam's history have to be this way? Surely we weren't the first to descend into civil war, and from a certain angle, our story had a better conclusion than most others. I mean, the Irish and the Koreans are still fighting internally, and China never gave up its claim over Taiwan. Unlike them, we successfully reunited, albeit having to pay dearly with our own blood and tears.

And it all had to start with the French.


Ah oui les français, le peuple le plus cultivé, le plus sophistiqué, la civilisation exemplaire de l'Europe. Les français qui se croyaient chargé par Dieu de garder le continent en équilibre, pendant plusieurs siècles, contre le vieux Saint-Empire et la nouvelle puissance Britannique. Les français qui vantaient d'être la dernière monarchie absolue, entourée par des petites républiques dont ils se moquaient car ces dernières manquaient de la religion et d'une histoire de gloire. C'est les mêmes français qui, quelques décennies après, se sont révoltés contre cette monarchie lumineuse pour descendre à la Terreur, à l'obscurité totale. Ils parlaient de la solidarité humaine, criaient « Liberté, Égalité, Fraternité ! » à haute voix en même temps qu'ils réduisaient quasiment une moité de l'Afrique et de l'Asie en esclavage. Ce sont des français dont j'ai lu dans les textes d'histoire et de politique.

Et puis, il y a les français qui sont toujours « à la mode ». Les français qui sont obsédés avec leur vin, leur fromage et leur pot-au-feu, et qui se méfient constamment de la mal-bouffe. Les français qui mettent toujours le pain directement sur la table et qui ne peuvent pas habiter sans leur baguettes. Si par hasard vous fréquentez un trottoir quelque part en Europe, et que vous voyiez une vieille femme marcher dans la pluie, une baguette à la main gauche et la parapluie à la main droite, et qu'il y ait personne d'autres...vous devez être en France.

Et la vieille femme doit être française.

Seulement les français peuvent avoir une telle fidélité à leur culture et à leur mode de vie. Seulement les français peuvent promener leur chien tous les jours avec une ponctualité et une vitesse qui dépassent même la monotonie d'une semaine de travail à New York. N'oublions pas non plus la devise hilarante de la campagne contre l'excrétion publique des animaux domestiques : « J'aime ma ville, donc je ramasse. » Très français ce truc, non ?

Et puis il y a les filles françaises qui sont toujours radieuses, qui se donnent tous les temps des gros bisous et un grand sourire. Ah les bisous ! Comme cela me manque beaucoup ! Paris, ville de lumière, toujours radieuse, toujours majestueuse, je te fais le plus gros bisou du monde !

Ce sont les français que j'ai vus avec mes propres yeux. C'est difficile à croire que leur ancêtres ont commis des crimes d'une telle atrocité, celles qui va absolument à l'encontre de leur principe de la solidarité universelle. Ce sont des crimes dont les conséquences ne peuvent être ni mesurées ni compensées. Comment est-ce que cela s'est fait? On était plein dans la Révolution industrielle, à l'apogée du progrès scientifique. On trouvait l'optimisme partout. Pourquoi alors ? Pourquoi cette retour au barbarisme contre quoi les européens ont battu courageusement pendant des siècles avec toute leur énergie ?

Je me pose une question hypothétique : si la France n'a jamais colonisé le Vietnam, existerait-il encore cette dichotomie entre « cạ » et « vẹm » ? Serait-je encore le symbole de cet abîme entre les deux ?

Peut-être, car les Anglais se sont tenus prêts à prendre possession de l'Indochine. Mais regardez la Thaïlande ! Comment s'est fait-t-elle pour s'en sortir ? Ne serait-il possible que la même stratégie eut marché pour le Vietnam aussi ? On ne sait jamais. Car l'histoire n'existe pas à travers une récurrence éternelle. On n'a pas d'occasion de tester les hypothèses variés pour trouver une solution optimale aux problèmes du monde. L'histoire est une répétition dont il n'y pas de spectacle. On la voit telle quelle.

Mais lorsqu'on est dans le domaine des hypothèses, explorons un peu cette idée : si la France n'a jamais conquis le Vietnam, la culture vietnamienne serait vastement différente de ce qu'on voit aujourd'hui. C'est une pensée effrayante !

Hãy trở về với tiếng Việt một chút. Nếu đế quốc đã không xâm chiếm Việt Nam, cuộc sống của ta sẽ khác như thế nào? Không thể kể hết được, nhưng chỉ nói đến văn hóa ẩm thực thôi thì đã thấy tiếc như thế nào rồi. Đế quốc đã mang đến cho chúng ta:

1. Bánh mỳ kiểu Pháp
2. Sữa
3. Sữa chua (da-ua)
4. Bánh Flan
5. Bánh ga-tô
6. Pa-tê
7. Pa-tê-sô
8. Bánh su
9. Xúp lơ

フランスの料理はとても美味しいですよ!
でも、日本のフランは一番です。

và không thể không kể đến:
10. Bộ thìa, nĩa và dao ăn

Bạn sẽ nói, gớm, làm gì mà quan trọng thế? Không có Pháp thuộc thì rồi đến một lúc nào đó nhứng của ngon vật lạ này cũng sẽ di nhập vào Việt Nam. Bạn có chắc không? Bạn có đồng ý là món yaourt là một loại thức ăn rất ngon và bổ dưỡng không? Bạn đi hầu hết các nước trên thế giới sẽ thấy đều có bán yaourt. Thế nhưng bạn sẽ khó có thể tìm được môt siêu thị ở Hoa Kỳ nào mà có bán hơn 3 loại yaourt đóng trong những cái hộp nhỏ xinh xinh, có vị hoa quả mà bạn thường hay mua ở Việt Nam. Vậy mà nước Mỹ vẫn tự coi mình là cái “nồi văn hóa” của thế giới đấy. Tiếp đến, nếu bạn có đến Pháp thì hãy hỏi bất cứ một người Pháp nào xem món ăn truyền thống của người Pháp là món gì. Sẽ có chín trên mười người trả lời: “C'est la crêpe!” Xin tạm dịch đây là món bánh xèo Pháp. Nhưng tôi đoán chắc ở Việt Nam bạn chưa bao giờ được ăn món này. Ta tự hỏi người Pháp đã làm gì trong bao nhiêu năm thống trị Việt Nam mà lại không truyền lại cho chúng ta món ăn danh tiếng này.

Vậy cho nên tôi kết luận, văn hóa thế giới di nhập không theo một quy luật nào và rất khó đoán trước.

Encore une fois, l'idée de la récurrence éternelle est en jeu. On a beau faire des conjectures à propos des possibilités différentes résultant d'un changement de notre choix préexistant, on ne peut rien conclure car personne ne peut transformer ces possibilités en une réalité. Il faut finalement se contenter de ce qu'on a fait. Nos actions ne perdent pas leur signifiance parce qu'on ne sait pas si elles sont bien faites. Au contraire, nos actions gagnent plus de signifiance à cause de leur unique occurrence.

In the movie Monty Python and the Life of Brian, the main character joins an underground resistance group in the struggle against the Roman occupiers. At one point, the leader affirms that in order to truly fight the Romans, Jews need to recognize that they are very bad people. He thus asks his troops to state one good thing that the Romans ever did for the Holy Land. One guy said: “Schools?” The leader looks at him dumbfounded, then restates his question, adding “beside schools” in the end. Another soldier says “the aqueduct,” then another adds “paved roads.” Then the rest joins in with “public health care,” “welfare,” “the arenas,” “delicious Roman food” etc. Each subsequent time the leader has to ask again and again, excluding all of the aforementioned benefits at the end of his question.

Similar to the story of Israel, Vietnam has much suffered because of the French occupation. Today's animosity between Vietnamese at home and abroad is among the more visible problems remaining. Yet, we cannot negate the benefits that the collision with Europe in general, and Imperial France in particular, has brought us. Thanks to this encounter, we are among the culturally richest countries on earth. In the kitchen we are at the very top, that's for sure. The fact that we have no clue as to how such an impact could have played out differently, or not at all, is what makes its development all the more interesting.

This is why such a geographic division between North and South, this Vietnamese kitsch, is both our curse and our Grand March. I told myself, “Lead, follow, or get out of the way.”

Contenting myself with this conclusion, I boarded my flight.

Three hours later, I called my baby from the airport.

Monday, October 02, 2006

International Food Bazaar

Sunday, 01/10/2006

I woke up to the sound of Simon and Garfunkel blasting out (i.e. soothing out) my radio/alarm clock. The mercury screen registrered 10:30am. A quick jump into the shower and then I was set. It's International Food Bazaar day! What else could be more pleasurable to look forward to?

So I head over to Tr.'s place to prepare something that would proudly and gastromically represent our country. It wasn't the ubiquitously favorite phở, nor was it the nostalgic chef-d'oeuvre of the ancient capital bún bò Huế. Limited in the student microscopic universe in terms of time and money, we have chosen nem cuốn and thịt kho tàu as our reprensentants. Not very exciting I know, but nonetheless entertainable.

Ce qu'il faut retenir en tout cas, c'était que c'était décidé il y a long temps que nem cuốn and thịt kho tàu seraient assez dignes d'être l'objet de notre adultère pendant ce jour entier! Les deux sont facile à manger, et à se substituer l'un pour l'autre. On peut en manger nous-même au fur et à mésure du processus. En plus le coût marginal d'en produire une unité de plus est bien petit, ça prend moins de 30 seconds pour un nem cuốn supplémentaire. Juste un avertissement pour les francophones, méfiez-vous du mot nem cuốn car ce n'était tout à fait la même chose que nem, ce que vous vous habituez à manger dans les restos chinois ou vietnamiens tout au long des certaines ruelles parisiennes/nantaises.

Voici le nem, ou nem rán, selon les français :















De l'autre côté, nem cuốn est un peu comme ceci :














Y-a-t-il une différence? bah oui !!! c'est le mot "rán" qui veut dire "frire" (to fry, barbecue, etc.). Par contre, "cuốn" veut dire tout simplement "rouler" ou "tourner" (to roll).

Quant à thịt kho tàu, voici ce à quoi on a voulu arriver :













Mais bon, rien n'est parfait dans la vie. En vietnamien on dit souvent : «Người tính không bằng trời tính,» ce qui veut dire plus ou moins «nous avons beau faire nos projets avec la plus grande précision, le ciel fera les siens beaucoup mieux» (Plan all you want, but the heavens' plans are better).



Enough of the introduction, let's get to the exciting part : the passing of this magnific day...and LOTS of pictures.

So like I said, at 11pm we have started. Or rather, I have arrive at the scene where Tr. has already started. What have I missed out? Tr. has already ướp (marinated) the pork in soy sauce and some secret combination of spices that she wouldn't reveal to me. In addition, she has hard-boiled about twenty chicken eggs (I make the distinction because in Vietnamese cuisine, there is a HUGE difference between eggs of chickens, ducks, geese, chim cút (quails, les cailles) etc.)

The first task was deep frying boiled eggs to be put in thịt kho tàu, as you can see below:














All of that is BOILING oil. (Aux francophones, c'est de l'huile extrêmement chaude !!) And the eggs are already taking up that disgusting burn on the outside. But being a Vietnamese, you would say YUMMY instead instead of turning your head away in animosity. Trời ơi thèm quá thèm muốn chảy nước dãi ra luôn!!! It is now 11:00am.

After about 20 eggs and 15 minutes later, this is what we arrived at:















Meanwhile, the chicken for nem cuốn is making itself useful in another pot nearby:
















While I took care of these guys, Tr. went to another kitchen and tackled omlettes. Tonnes of them. Beat them out, pour oil and a bit a vodka "cho nó bông lên" (fluffy). According to strict Vietnamese culinary guides, you make omlettes as thin as possible. That means the moment you put pour the egg mix into the pan, thin it out and pour it right out IMMEDIATELY (in about less than 2 seconds). This is extremely painstaking, but it will be worth your while because thin egg will be extremely easy to roll later on. It's also tasty. Sorry there's no pictures of this process ):


I have been so focused on cooking that I didn't notice we had competitions. Here is a picture of the famous Mexican Pozole cooking up right next to our work. As far as ingredients are concerned, I think you just need tonnes of onions and and like five pigs:















Back to our food. Want to take a peek inside that delicious roll? Basically there are eggs, pork, lạp xưởng (sausages), chicken, cabbage, cucumber and cilantro. Here is our secret:















And here is a sample of the final product. To be eaten with tương đen (hoisin sauce). I think it deserves the "picture of the blog" award:















Finally, and after hours and hours of repeatedly stretching and twisting our hands and fingers in indecent ways, we have amassed a formidable pile of edibles. Fortunately for us, on the other side of the room thịt kho tàu was also shaping up great!
















Which we have compacted into something more manageable. At 4:00pm, we headed to the Food Bazaar:

















Overall, the food bazaar was a success. There were around 60 dishes representing around 30 countries. It was what I'd call an "eating orgy." I myself tortured my stomach to the point of it breaking down, although I've got some pictures along the way too. Enjoy the international variety:

















One of my favorite dish of all time: Butter chicken (aka murgh makhani) from India, makes me think of another great dish: Tandoori chicken: "state dish" of Punjab. To be eaten with butter nan. Very fatty, very decadent, very Punjabi...I'd drooling at this very moment.

















Kabab from Turkey. Needless to say, the Turkish/Arab culinary culture has spread tremendously to Western Europe, where, in France for example, I have had amazing kabab. Yummmmy. In the picture above it's not cooked yet, but already it's looking so tasty..


















Jiao Zi, China; Bulgogi, South Korea.

















Braised Chicken in Sun-Dried Tomato Cream, Italy; Rice Roll, China.


















Mushroom with Soy Sauce, China; Noodle Kugel, Germany.



















Butter chicken, India; Vietnamese Chicken, Vietnam.


















Steamed Chicken, South Korea; Shann Noodles, Myanmar.

















Wang Kaew Wan ...Thailand.

















Chicken Tortilla Soup, Mexico.


















Japanese Curry, Japan; Badshahi Chicken, India.
















And our stall! Nem cuốn and thịt kho tàu, VIETNAM!


















I have no idea what the dish on the left is, but on the right is Hong Kong Street Special, from Hongkong.



















Paté chaud, vietnamese style. Une de peu des choses de bon que les français ont laissées au Vietnam.


















寿司 (Sushi) from Japan! My second favorite dish of the evening. Yet on the echelon of Japanese gastronomy I don't value it as highly as some other dishes, しゃぶしゃぶ for example is something that I would marry a Japanese girl just to eat everyday... Yummyy.....shabbb...shabb....back and forth, back and forth the the beef is for the taking back and forth....slurp slurp.
May I also respectfully point out that 寿司 isn't about the fish, and it doesn't have to be rolled up into little cute pieces. The term 寿司 (sushi) refers to the rice, not the seafood or the toppings. So don't be taken too aback by the picture being different from what you imagined.




And so time passed by...Soon the food bazaar came to an end. The battlefield was intense. Not a single stray of food was left:


























In the end, I was content, and feeling godly. What else could I have asked for: eating my heart out and enjoying international flavors in an educational framework...Wow.

Saturday, September 30, 2006

Squid Icon

I took this picture during my trip to Japan. This mystifying squid is a resident of the Osaka Maritime Museum. I immediately fell in love with him...among various other Japanese goodies.

So I went to FavIcon from Pics and got this:
Standard x32 by x32 image. It was initially converted to an *ico file, but it looks like blogger doesn't accept them. Unhappy, I changed the extension back to jpg. Let's see how it works. Here is the animated version:
It has the word "jublog" running across.

The next step is to insert this line between my <head> and </head> tags:

<link rel="shortcut icon" href="put_the_image's_url_here"/>

which, by a personal stand of anti-corporatism, I automatically discard in favor of the Mozilla standard:

<link rel="icon" type="image/jpeg" href="put_the_image's_url_here"/>

The word is that this will only work with Mozilla Firefox because IE doesn't accept anything other than *ico files. Hmm....

*Si vous êtes francophones j'ai trouvé un site chez AFUL avec des bonnes explanations pour le faire vous-même à votre site. Ce n'est pas trop compliqué je crois.*

We'll see how it turns out.

Friday, September 29, 2006

PATRICK BRUEL - J'm'attendais pas à ça

J'ai découvert cette chanson magnifique lors de l'émission «Une nuit à Marrakech» sur TV2 le samedi, 27 mai 2006. Parmi les invités on peut compter Patrick Bruel, Saïd Taghmaoui (celui qui joue le mec arabe dans le fameux film «La Haine» réalisé par Mathieu Kassovitz [imdb|site officiel]) et Marc Lavoine (qui je vénère comme Dieu depuis qu'il a écrit la chanson «Bonjour Vietnam» pour la chanteuse belge d'origine vietnamienne Phạm Quỳnh Anh [site officiel]). Et il y avait bien d'autres figures importantes. Mais le star de la soirée évidamment était Bruel, qui a chanté sur scène et m'a volé le coeur.

En gros, l'émission était une experience culturelle très riche où on parle de la valeur cinématographique et musicale des artistes marocains (où d'origine marocaine). C'est quoi le futur du cinéma «maghrebien»? Une question digne de plus de considérations.

Bref, le lendemain j'ai trouvé l'album de Patrick Bruel, qui s'appelle «Des Souvenirs Devant...» [acheter cet album]
Ce dernier album en 2006 est actuellement un gros succès en France. Pas trop, car le pays est toujours sous la domination du MTV et ses sous-produits. Mais bon...ce qui compte c'est que je suis devenu de plus en plus obsédé avec cette chanson. Vous pouvez imaginer à quel point cela m'a touché, car pendant les deux jours qui ont suivi, je me suis occupé à transcrire cette pièce en tablature guitarique après avoir été frustré par la mauvaise qualité et de l'indisponibilité des tablatures sur l'internet. Donc le résultat finale? Voici une version assez complète de cette tablature.

Vous pouvez également y accéder sur abc-tabs, c'est marqué J'm'attendais pas à toi (2) sur le liste. Mais pour le voir il faut s'inscrire d'abord.



PATRICK BRUEL
J'm'attendais pas à toi
Des Souvenirs Devant (2006)


Transcrite pour la guitare
par Jubinell [danorma5@yahoo.com]
v1.0


Bonjour à tous. Voici ma transcription de cette chanson merveilleuse. J'ai lu attentivement les deux tablatures et les commentaires sur le site. J'espère que ma version est bien et complète.

Tout au long de cette tablature j'ai ajouté des petites annotations comme *1*. Regardez à la fin pour trouver l'explication.

Aussi je suis anglophone donc excusez moi s'il vous plaît si j'ai fait des erreurs grammaticales.


D/F#___: (200232) *1*
Gm_____: (355333) (xx0333) pour les débutants
Bm_____: (224432) (xx4432)
D7_____: (200212)
G______: (320033) (xx0033)
D/F#___: (200232)
Em_____: (022000)
Asus4__: (002230)
A______: (002220)
---
Dm_____: (200231) (x00231)
Asus4\G: (x02233) *2*
Dm\A___: (xx0765)
D\A____: (xx0775)
Bb_____: (224442)
---
Dm/C#__: (xx0665)
Dm/C___: (xx0565)

Introduction : *3*
E|----0----------0----------0---------1-0-1-0--|
B|---6--6-------6--6-------6--6----------------|
G|--7-----6----5-----4----3-----2----3---------|
D|-0----------0----------0----------0----------|

1er Couplet :
D/F# Gm
Je parlais de l'amour
Bm D7
comme on parle du temps
G D/F#
sans l'avoir vu au jour
Em Asus4 - A
sans le connaître vraiment

J'y pensais comme on rêve
j'en rêvais sans y croire
entre ces coeurs en grève
et ces histoires "pour voir"

Refrain: *4*
Dm
J'm'attendais pas à toi
Asus4\G Dm\A
j'm'attendais pas à ça
D\A Gm
j'm'attendais pas à moi
Bb Asus4 – A *5*
dans c'rôle là

J'm'attendais pas à lire
autre chose que mon livre
j'm'attendais pas à vivre
au dessus de mes lignes

1er Couplet :
Dans cette foule de gens seuls
toutes ces vies qui se frôlent
tous ces corps qui s'en veulent
ces chagrins sans épaules

On respire l'air du large
l'air du temps, l'air de rien
On veut tous prendre le large
personne connaît le chemin

Refrain

2e Couplet : *6*
Dm\A Dm/C#
Et puis j'ai vu ta tête
Dm/C Gm
un clown aux yeux qui brillent
G Dm
tes chagrins dans les fêtes
Bb Asus4 - A
et ton rire qui rougit

Si forte d'être fragile
tes peurs après la nuit
les princesses que j'ai lu
étaient moins farfelues

Refrain

Refrain :
Je courrais sans lanterne
Vers une aube qui s'enfuit
aux endroits où l'on s'aiment
il ne fait jamais nuit

J'm'attendais pas à toi
j'm'attendais pas à moi
dans c'rôle là

Et le route fut belle
de mes rêves à ma vie
croustillante de dentelle
rideaux neufs, nouveau lit

J'ai posé 1000 questions
à mon coeur, à ma tête
j'ai planté l'vieux garçon
au milieu de ses peut-être

Tous ces jours plus pareils
tous ces matins parfaits
où tes yeux me réveillent
dans un rire un secret

J'm'attendais pas à ça...


------------
Annotations:
*1* A/B signifie l'accord A joué avec la note B en bas.
*2* A\B signifie l'accord B joué avec la note B en haut.
*3* Mon introduction c'est similaire à la modification de msi, mais je l'ai transcrit indépendamment (:
*4* Vous pouvez jouer des accords plus traditionnels pour le refrain si vous voulez, mais en écrivant Asus4G, DmA etc.,
je voulais souligner l'intensité de la progression fa – sol – la en haut des accords.
*5* Dans les deux tablatures j'ai trouvées c'est toujours Dm, mais je crois que Bb marche beaucoup mieux.
*6* Je n'ai pas trouvé la transcription pour cette partie. Personne ne l'ai fait? Ce qui est marrant, c'est que les accords ici sont similaires à ceux à l'introduction.
------------

N'hésitez pas de m'envoyer des questions/suggestions/corrections.

Jubinell
- « Share to try, buy to love. »
- « Sharers of the world, unite ! »

Sunday, September 24, 2006

About Me

Hi everybody. I'm just a kid trying to figure all of this out. I'm also a loser, a freak, a pervert and a tool. If you can cross the barrier that separates the sane from the wise, then I'd love to meet you.

Bonjour à tous je m'appelle universellement Jubinell. Bref, j'ai tombé amoureux avec la langue française depuis que j'ai vu le film Léon réalisé par Luc Besson. Un dernier avertissement je suis obsédé avec tout ce qui concerne la France donc si c'est vous barrez-vous loin de moi le plus vite possible (;

Ê xin chào mọi người tên tôi là Jubinell, hay còn gọi tắt là Jube. Một vài lời giới thiệu: tôi rất lười, thậm chí còn lười hơn Nôbita nữa. Tôi thích nhất là chơi điện tử và xem phim. Tôi ghét nhất là nghĩ về tương lai, về cuộc sống hay về con người gì đó.

皆さん今日は.私はJubinellです。饂飩は大丈夫です。でもベトナムの料理は大好きです。宜しくお願いします!